Anyone who wants out of combat duty isn't really crazy and thus cannot get out:. There was only one catch and that was Catch, which specified that a concern for one's own safety in the face of dangers that were real and immediate was the process of a rational mind.
Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to. Yossarian is quite impressed by the simple logic of it all and emits a respectful whistle.
Doc Daneeka responds, "It's the best there is. As a theme, the catch is that anyone under military or political authority has to submit to the will of authority. When Yossarian goes to Rome near the end of the novel and speaks with an old woman, the only one left in the brothel, she tells him that military police and the carabinieri ran the girls out of the apartment building under the authority of Catch Although no one ever actually sees Catch, the entire military complex functions under its authority.
Why does everyone submit? Because Catch is the law.
Catch 22 By Joseph Heller Essay
Who says so? Catch, of course. When Colonel Korn and Colonel Cathcart call Yossarian into their office to discuss the arrangement for his release from military duty Chapter 40 , Yossarian briefly seems to have the commanding officers in a Catch On the one hand, they cannot simply send him home if it looks like a reward for refusing to fly more missions.
That would destroy morale. On the other hand, Korn and Cathcart would put their own careers in jeopardy if Yossarian remains with the squadron, refuses to fly, and has other men following his example.
In time, of course, Catch prevails on the side of the establishment. Yossarian must either accept the odious deal that he is offered, or he will be court-martialed. It's some catch, that Catch Justice, or the military distortion of it, is a major theme specifically emphasized in Clevinger's trial Chapter 8 and the interrogation of Chaplain Tappman Chapter At cadet school in Santa Ana, California in , Yossarian's friend Clevinger manages to alienate Lieutenant Scheisskopf by pointing out ways that Scheisskopf could improve morale.
For his efforts, Clevinger is brought to trial in front of the Action Board. In a satirical distortion of justice, Heller makes Scheisskopf serve as the prosecutor, the officer defending Clevinger, and a member of the judging panel.
SparkNotes users wanted!
Charges stem from the fact that Clevinger tripped one day while marching to class; for this, he is accused of "breaking ranks while in formation, felonious assault, indiscriminate behavior, mopery, high treason, provoking, being a smart guy, listening to classical music, and so on. Chaplain Tappman meets a similar fate. Summoned to a cellar without due process or any explanation of charges, the chaplain is interrogated in a harsh and arbitrary manner.
Eventually, he learns that he is suspected of signing a hospital letter, which Yossarian forged as a joke, and stealing a plum tomato that Colonel Cathcart actually gave him. His denials are in vain. When he claims that he is not guilty, he is asked, "Then why would we be questioning you if you weren't guilty? The process is reminiscent of the methods of U. Senator Joseph Raymond McCarthy's Senate hearings in the s, which resulted in a national witch-hunt for anyone associated with the Communist Party.
Heller quotes a specific McCarthy tactic when one of the accusing officers says to the chaplain, "I have here in my hands now another statement. In the McCarthy hearings, which were front-page news as Heller wrote early drafts of this novel, the presumption of guilt replaced a presumption of innocence. In the novel, that authoritarian approach is taken by the military.
Essay on Catch Research Paper on CATCH 22
See "Introduction to the Novel" for further discussion of historical context. Milo Minderbinder is the most obvious representative of the theme of greed in the novel, but he is not alone; excessive ambition is also a kind of greed, personified by Colonel Cathcart and General Peckem, among others. When Milo's greed gets out of hand, his cash flow is strapped due to a purchase of the entire Egyptian cotton crop.
Desperate for funds, Milo contracts with the Germans to bomb his own squadron's base on Pianosa. Heller details the bombing and strafing, during which Milo's pilots spare the landing strip and mess hall so they can land and enjoy a hot meal before retiring. As Milo likes to say, "What's so terrible about that?
But mainly it's good for Milo.
The mops vivid examples of the paradoxes created by catch come from the specific characters; Hungry Joe, Doc Daneeka, Orr, Milo Minderbinder, and Yossarian. Probably the most peculiar paradox presented in Catch is formed around a pilot named Hungry Joe. Following a common, logical train of thought, Hungry Joe wishes to finish his time in the war and return home, where his safety is guaranteed, and he is in no danger of being killed.
The catch originates from a common junction of many of the catches characters face, Colonel Cathcart, the wing commander. Colonel Cathcart"s goal is to be mentioned in The Saturday Evening Post, and to do that, he continues to raise the required missions to fly for his wing.
A+ Student Essay
Holding characters in the war, and not allowing them to return home. Continue reading this essay Continue reading. Toggle navigation Direct Essays. Saved Essays. Topics in Paper.